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Toronto
Sun Article
By
Jil Mcintosh
The art of the pinstripe
Artist
loves to lay down the lines
Dying skill starting to rev up again
Dec. 10,
2005. 01:00 AM
JIL MCINTOSH
SPECIAL
TO THE STAR
Craig
Williams shows one of his hand-pulled pinstripes,
painted with a brush made from squirrel hair.
In a quick-fix automotive world where customization is just a peel-and-stick
graphic away, Craig Williams is an old-school craftsman.
Armed with
cans of paint and tiny brushes, Williams is one of a handful of artists keeping
the tradition of pinstriping alive.
"Everything
old is new again and we're starting to go back to the roots," he says.
"Guys are building 1950s-flavour hot rods, and they want to make it their
own."
A
self-taught striper who goes by the name Thrall Pinstripe ("thrall means
consumed by passion or vice," he explains), the 32-year-old Colborne
resident works as a forklift driver for Kraft Foods.
In his spare
time, he "lays down lines," as it's called, on everything from hot
rods and motorcycles to the decorated bowling pins and light-switch covers he
sells at car shows.
Pinstriping,
called "hand-pulled lines" because of the way the brush is pulled
along, still hasn't returned to the heights it achieved during its heyday in the
1960s. But it is coming back — when car owners can track down a striper.
"I can
only think of about six guys doing it in the GTA," Williams says. "As
far as I know, I'm the only guy this far east until Kingston."
Pinstriping
dates from horse and buggy days, when decorative lines were painted on
carriages. The practice continued onto early automobiles, with factory workers
hand-painting straight lines along the length of the body. It was
time-consuming, and as assembly lines sped up, the stripes were reserved for the
priciest models. It was phased out in the late 1930s.
It was
revived in the 1950s by Los Angeles artist Kenny Howard, better known as Von
Dutch. He died in 1992 and would undoubtedly be infuriated by the current use of
his signature logo on hats and T-shirts.
He was proud
of his self-inflicted poverty, and even his friends described him as a violent,
racist, alcoholic recluse. But the man could create anything from handmade
knives to motorcycles, and he could paint.
Von Dutch
took the straight lines of the early stripers and turned them into symmetrical
patterns. It was picked up by many other automotive artists, including Ed
"Big Daddy" Roth and George Barris. Each tried to outdo the others,
until the designs looked like spaghetti.
"It was
one extreme to the other," Williams says. "I try to keep my designs
fairly simple because I like that cleaner, older- style look. I think the space
in between the lines is probably more important than the paint lines themselves,
because it keeps it in balance."
Striping
died down in the 1980s, when tastes ran to monotone paint jobs and smooth,
unadorned cars, and many stripers packed up their kits for good.
Williams
credits some of the returning popularity to high-profile shows like Overhaulin'.
"You
see guys like (Chip) Foose putting it on their million-dollar hot rods," he
says.
"They
always finish with a little bit of pinstripe. I think shows like that are
starting to raise awareness of the whole auto phenomenon, and some of that is
over into the striping world."
Like most
stripers, Williams doesn't use a pattern, but paints directly on the car.
"I draw
my inspiration from other guys' artwork and change it, and once it goes through
my eye and out my hand it's different, and it's mine," he says.
"Sometimes the automobile inspires you to do whatever comes out.
"It
adds character, attitude and social status, because I've found that anybody
who's had his car striped, well, his buddies like the car better now. Striping
is cool because a lot of these guys aren't aware of how it's done and they think
it's vinyl peel-and-stick, but it's painted."
Williams
uses oil-based enamel that can be removed with solvents that won't damage the
car's original finish.
"If I
make a mistake, my thinners don't touch your paint," he says. "Two
years from now, if you decide you don't want it, I can lift that paint off and
buff it out."
His
specialized brushes are called camel-hair, but they're really made of squirrel
hair.
It isn't an
easy art; pinstriping demands a steady hand, the ability to draw a symmetrical
pattern freehand and, most importantly, an eye for determining what design will
work best on the car being painted.
And if he sneezes? Williams laughs. "I'll
just have to make sure I sneeze on the other side of the design, too."
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